truth.” Composers inevitably manipulate the exhibition of meaning and perspective via an amalgamation of linguistic and textual form to provoke an interpretation of deliberate bias, as typified within William Shakespeare’s timeless tragedy Julius Caesar (1599), Oliver Stone’s conspiracy driven film JFK (1991), and the provocative feature article Poisoning the truth by Mariane Pearl (AWW, April 2008, pp 85-88). Thus the nature of conflicting perspectives is a dialectical relationship between collective…
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