The Tempest Research Paper

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technology of the Jacobean stage. The Jacobean stage had resources to provide Shakespeare with “flying devices, trapdoors, ascents and descents, appearing and disappearing theatrical propertie...” (Shakespeare & Orgel, 50). Thus, the masque in The Tempest had the ability to be much more adventurous.

PART B
Touchstone and Audrey’s relationship functions as a parody to the other three pairs of romantic lovers, because it provides the audience with some comedic relief of how ridiculous love and lust can be. For example, the un-purified lust that Touchstone has for Audrey is completely opposite than Silvius’s love for Phebe, Orlando’s love for Rosalind. Silvius is completely infatuated with Phebe and is agonizing over his idealized lover. This
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