1. Raphael, School of Athens, fresco in the Vatican (Rome), High Italian Renaissance is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, Each theme is identified above by a separate tondo containing a majestic female figure seated in the clouds.
2. Michelangelo, The Creation of Adam from the ceiling fresco cycle from the Biblical book of Genesis, Sistine Chapel, Vatican, High Italian Renaissance
It illustrates the Biblical creation narrative from the Book of Genesis in which God breathes life into Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis. It is the most well-known of the Sistine Chapel fresco panels, God is depicted as an elderly white-bearded man wrapped in a swirling cloak while Adam, on the lower left, is completely nude. God's right arm is outstretched to impart the spark of life from his own finger into that of Adam, whose left arm is extended in a pose mirroring God's, a reminder that man is created in the image and likeness of God (Gen 1:26). Another point is that Adam's finger and God's finger are not touching. It gives the impression that God, the giver of life, is reaching out to Adam who receives it; they are not on "the same level" as would be two humans shaking hands, for instance.
3. Michelangelo, David, marble, Florence, Italy, High Italian Renaissance
According to Helen Gardner and other scholars, David is depicted before his battle with Goliath. Instead of being shown victorious over a foe much larger than he, David looks tense and ready for combat. The statue appears to show David after he has made the decision to fight Goliath but before the battle has actually taken place, a moment between conscious choice and action. His brow is drawn, his neck tense and the veins bulge out of his lowered right hand. The twist of his body effectively conveys to the viewer the feeling that he is in motion, an impression heightened with contrapposto
4. Leonardo da Vinci, Last Supper, tempera and oil on plaster, Santa Maria della Grazia monastery in Milan, Italy
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper was likely a retelling of the events of the last meal of Jesus among the early Christian community, and became a ritual which recounted that meal. There are three major themes in the depictions of the Last Supper: the first is the dramatic and dynamic depiction of Jesus' announcement of his betrayal. The second is the moment of the institution of the tradition of the Eucharist. The depictions here are generally solemn and mystical. The third major theme is the farewell of Jesus to his disciples, in which Judas Iscariot is no longer present, having left the supper.
5. Albrecht Durer, Adam and Eve, engraving on paper, High German Renaissance
Completed in 1507, the work followed a 1504 copper engraving by Dürer on the same subject, one which offered Dürer the opportunity to depict the ideal human figure. Painted in Nuremberg soon after his return from Venice, the panels were influenced by Italian art. Dürer's observations on his second trip to Italy provided him with new approaches to portraying the human form. Here, he depicts Adam and Eve at human scale—the first full-scale nude subjects in German painting.
6. Bernini, David, marble, Italian Baroque the subject of the work is the biblical David, about to throw the stone that will bring down Goliath, which will allow David to behead him. Compared to earlier works on the same theme (notably the David of Michelangelo), the sculpture