Black In Horror Film Analysis

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In Robin R. Means Coleman book Horror Noire: Black is in American horror from the 1890’s to present, the notion of blacks in horror films captures African Americans through the predicament of horror. African American characters are often cast as the racial other or in the horror genres case, monstrous (good or bad). Thus, segregating African American characters from the dominant (white race). Blacks in horror films are significantly influenced by white stimulus, such as directors, editors, actors, etc. Moreover, affecting films ethnic viewership or lack of through mainstream consumption. A horror film may need not have an or any African American characters in a film to provide alternative ideas of ethnicity and or race. For example, Ian Softly 2005 film Skeleton key story lacks a regular (alive) African American character, yet the attention that Caroline the white women protagonist draws the attention to the African Americans history. …show more content…
Black in horror is often mistaken for black horror films, that although black horror films are ultimately different from blacks in horror films. As black horror films define which narratives are dominantly influenced by African American race, ideologies; combined with the context of fear and monstrosity within the horror genre. This is significant as the majority of black horror film construction is formed by American therefore appealing to its orientated audience. Hence why in the 1991 film People Under the Stairs the two-monstrous antagonist are characterised as greedy, violent middle-aged white people who take advantage of the ‘other’ underprivileged poor

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