Brooklyn Tony Character Analysis

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A sweet-looking Irish girl and a suave Italian boy step onto the beach at Coney Island in the 1950s, sporting funky sunglasses and retro swimwear. The crowded shore’s audience glances at the young power-couple as they embrace in the midst of the Atlantic. They immediately support the buildup of a classic Victorian love story, unfolding as a postmodern interpretation of finding the meaning of a true home.
“Brooklyn,” 2015 film directed by John Crowley features the endeavors of young Irish immigrant, Eilis (Saoirse Ronan), in Brooklyn, NY, who faces the circumstances of coping with newfound independence and relentless homesickness. Living in a boarding house with a few other girls and working at a department store, Eilis seemingly portrays the epitome of an independent female in search of a prosperous lifestyle in a foreign land. Eilis meets an Italian plumber, Tony (Emory Cohen), who instantly woes her with his
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Ronan’s portrayal of such characteristics within Eilis’ struggle with homesickness is beyond reputable, as she precisely displayed each tear shed and sorrowful moment with complete commitment. However, the slight disappointment lies not in Ronan’s performance, but in Eilis character, as she barely reaches a defining moment of realization or overcoming after the variety of hardships that the film showcases.
Instead, this concept is masked with Eilis’ return to Ireland, only to meet Jim Farrell (Domhnall Gleeson), a classic Irish boy with red hair and a direct outlet to a concrete sense of home. Rather than focusing on her personal journey to prosperity in America, Eilis’ potential as an individual is drowned out by a disposable love triangle.
A story with a potential strong female lead is overtaken by an unnecessary love triangle spanning across an ocean. It almost exists as perspective feminism gone