Countee Cullen During The Harlem Renaissance

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The Harlem Renaissance is the name given to a simultaneous rise of great black music, art, drama, and literature that grew out of the Harlem area of New York City during the 1920s and 1930s. There were many very important writers during this major era in history African American history. The Harlem Renaissance laid a foundation down for the great Civil Rights Movement and other acts like Radical Pride and black identity.
Countee Cullen was one writer during the Harlem Renaissance and he valued tradition ways of writing. He was one of the leading faces in the Harlem Renaissance. Like sonnets and rhymed couplets over the more modern ways of poetry like free verse or rhythm. He felt like he was responsible to write about being black, but wanted the black poetry to be known as just American poetry so it did not have any discrimination. Countee wrote multiple poems about being African American like, “Yet I do marvel”, “Incident” and “Heritage.” What matter to Cullen was “attempt to corral the ebony muse into some definite mold” and that was directed for all black writers. He learned some of his thinking from his Harlem based minister that he had.
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Hughes was versatile like the other many writers connected with the Harlem Renaissance. He worked with the different patterns of literary forms such as traditional or experimental writing just as Countee Cullen did. Langston was known as “the bard of Harlem” and the definition of bard is “a tribal poet-singer skilled in composing and reciting verses on heroes and their deeds.” He wrote an important essay called “The Negro Artist and the Radical Mountain.” And this essay explained all the challenges that black artist had to deal with being writers and poets during the Harlem Renaissance. He was listed on the FBI security risk list because of radicalism. After that happened Hughes had to work on his appearance to the American public so he starting writing different forms of