History Of Sculpture

Submitted By 03031990
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Sculpture is the branch of the visual arts that operates in three dimensions, and one of the plastic arts. Three-dimensional space is a geometric 3-parameters model of the physical universe (without considering time) in which all known matter exists. These three dimensions can be labeled by a combination of three chosen from the terms length, width, height, depth, and breadth. Any three directions can be chosen, provided that they do not all lie in the same plane.

sculp·ture (sklpchr)
1. The art or practice of shaping figures or designs in the round or in relief, as by chiseling marble, modeling clay, or casting in metal.
a. A work of art created by sculpture.
b. Such works of art considered as a group.
3. Ridges, indentations, or other markings, as on a shell, formed by natural processes.
v. sculp·tured, sculp·tur·ing, sculp·tures
1. To fashion (stone, bronze, or wood, for example) into a three-dimensional figure.
2. To represent in sculpture.
3. To ornament with sculpture.
4. To change the shape or contour of, as by erosion.
To make sculptures or a sculpture.

[Middle English, from Latin sculptra, from sculptus, past participle of sculpere, to carve; see skel-1 in Indo-European roots.]

r·chi·tec·ture (ärk-tkchr)
1. The art and science of designing and erecting buildings.
2. Buildings and other large structures: the low, brick-and-adobe architecture of the Southwest.
3. A style and method of design and construction: Byzantine architecture.
4. Orderly arrangement of parts; structure: the architecture of the federal bureaucracy; the architecture of a novel.
5. Computer Science The overall design or structure of a computer system, including the hardware and the software required to run it, especially the internal structure of the microprocessor.

[Latin architectra, from architectus, architect; see architect.]

archi·tectur·al adj. archi·tectur·al·ly adv.

painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light on a flat surface.

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