Shelley was the daughter of Wollstonecraft, the Enlightenment Philosopher that was briefly examined a few paragraphs prior. In this novel, a very young but very intelligent scientist, Victor, created a form of a human being, the Monster. After the creation of the Monster, Victor becomes very sick in his stomach in regards to his creation. The Monster is very empathetic and loving by nature. He has ambitions of a companion. The Monster expresses his ambitions to Victor. Victor does not comply with the Monsters request for a companion. This is the turning point for the Monster. This is very compelling because this novel attributes traits and paradigms from both sides of the scale, Enlightenment and Romanticism. This is relevant because Victor is very much an Enlightened thinking man. He is educated and a scientist. He seems to think that science can cure the world's ailments. On the contrary, the Monster is very much a Romantic. He reads poetry. His ambitions are typically emotional. He enjoys nature and is emotional in his decisions. The clash of these two ideologies resulted in the death of Victor’s new bride and the death of the Monster. Ironically, if Victor, Enlightenment, and the Monster, Romanticism, would have acted in corroboration maybe something beautiful could have been created. This novel is a hybrid of these two …show more content…
The labels that are concerning in regards to this writing are masculine and feminine. According to Dr. Rees of the University of Sciences and Arts of Oklahoma, some examples of masculine traits are reason/logic, technology, perfection/stasis, social/political, science, symmetry, and adulthood. Consequently, some examples of feminine traits are as follows; emotion/intuition, nature, change/mutability, individual, organic, poetry, and childhood. Of course, these are a few examples of a very vast area, but these are the most applicable in regards to this writing. (Rees