Recent scholarly criticism has remained convinced that The Glass Menagerie is
“Tennessee Williams’s most autobiographical play, accurate to the imaginative reality of his
experience even when it departs from facts in detail” (Parker 3) and that “No one who has
reviewed even the bare details of his biography can overlook the obvious similarities between
the record of his early life and the events described in The Glass Menagerie” (Presley 86); the
playwright’s official biographer…
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