1968, Fred Silverman, executive in charge of children's programming for the CBS network, was looking for a show that would revitalize his Saturday morning line-up and please the watchdog groups at the same time. The result was The Archie Show, based upon Bob Montana's teenage humor comic book Archie. Also successful were the musical numbers The Archies performed during each program (one of which, "Sugar, Sugar", was the most successful Billboard number-one hit of 1969). Silverman was eager to expand upon this success, and contacted producers William Hanna and Joseph Barbera about possibly creating another show based around a teenage rock-group, but with an extra element: the kids would solve mysteries in-between their gigs. Silverman envisioned the show as a cross between the popular I…show more content… After learning the characteristics of a prize-winning Great Dane from her, Takamoto proceeded to break most of the rules and designed Too Much with overly bowed legs, a double-chin, and a sloped back, among other abnormalities.
On ABC, the show went through almost yearly format changes. For their 1976 - 1977 season, new episodes of Scooby-Doo were joined with a new H-B show, Dynomutt, Dog Wonder, to create The Scooby-Doo/Dynomutt Hour (It became The Scooby-Doo/Dynomutt Show when a bonus Scooby-Doo, Where are You! rerun was added to it in November 1976). This hour-long package show later evolved into the longer programming blocks Scooby's All-Star Laff-a-Lympics (1977 - 1978) and Scooby's All-Stars (1978 - 1979).
New Scooby episodes, in the original Scooby-Doo, Where Are You! format, were produced for each of these three seasons. Four of these episodes featured Scooby's dim-witted country cousin Scooby-Dum as a semi-regular character. The Scooby-Doo episodes produced during these three seasons were later packaged together for syndication as The Scooby-Doo Show, under which title they continue to
