Yet, the issue is that the genuine activity he needs God to take is no clearer to us toward the finish of the lyric than toward the start. Does he really need God to "violate" him? Most likely not, correct? All in all, what does he need? The representations, rather than making it less demanding to comprehend what's happening, simply make making sense of what he truly needs considerably more befuddling. What's more, why make it so confounding? That is the place the issue of adoring God comes up. The immense issue he should manage is that he's attempting to characterize a sacrosanct, profound relationship, however the main instruments available to him are the dialect we utilize and the lives we lead here in the non-holy world. The Bible makes a major purpose of this: the dialect God uses is not the dialect we can utilize, so the sorts of examinations Donne can make are innately constrained. Our words and similitudes can't depict what happens when you draw near to God. Donne expounds on something he truly can't express, and that battle is a major distinguishing mark for the greater part of his