Intertextuality In Lord Of The Flies

Words: 811
Pages: 4

1) Our quester: Ben Gates, a treasure hunter and the protagonist of National Treasure.
2) A place to go: in order to find what he is looking for, Ben set out on a journey to various places across New England.
3) A stated reason to go there: he wants to find the Templar Treasure, a treasure that relates back to the Freemasons and Knights Templar.
4) Challenges and trials: when searching for the Templar Treasure, Ben encountered a variety of problems. The first was when his friend, Ian, turned against him after realizing that Ben would not steal the Declaration of Independence. This caused Ben to have to race against Ian in order to ensure that Ian did not steal the Declaration. After this came even more challenges when Ben was forced to carry
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In this novel, Golding takes Treasure Island by Robert Louis Stevenson and completely alters the narrative. Rather than retelling the tale of glorified exploration, Golding spins his novel into a telling of savagery and loss of civilization while still keeping the idea of young boys being stranded on an island. Another example of intertextuality in literature that has previously helped me is with the His Dark Materials Trilogy, written by Philip Pullman. Pullman heavily relies on Paradise Lost, a 17th century poem written by John Milton. Both works are based around the idea of sin and temptation, with His Dark Materials having a more modern take. Milton and Pullman both discuss concerns about authority, freedom, and how these connect to God, or more broadly, religion. Pullman adds onto Paradise Lost’s idea of original sin by magnifying it and expanding it into an entire trilogy. The last example of intertextuality I have noticed in literature is between Gregory Maquire’s Wicked and L. Frank Baum’s The Wizard of Oz. Maquire takes the Wicked Witch, a character from The Wizard of Oz, and further develops her character. Having the background knowledge from The Wizard of Oz helps readers to better understand the Wicked Witch, and, in this case, vice versa.
Chapter 9—It’s Greek to Me (Chapter 8 in the Revised