Jonathan Safran Foer

Words: 615
Pages: 3

The novel by Jonathan Safran Foer, Extremely Loud & Incredibly Close, was certainly quite the commodity. It was observed, that Foer was able to spin words on a page in such an elegant and unique fashion. Albeit, in my opinion, his technique required some type of adjustment period. In particular, the style in which the words were coded into the ink took a little while to decipher. Although, a few common themes leapt out of the penmanship.
Humans believe that they know everything, but truly, they don’t. It’s simply not possible to be conscious of every single aspect in the world. Be that as it may, that does not prohibit mankind from striving to explore uncharted territory to the fullest extent possible. In the book, it appeared that Oskar attempted to file everything down to his own easily recognizable, organized system. But once his father died, and Oskar began searching for the keylock, his entire world drifted into the unknown. Hence, one of the reasons why Oskar started to “invent” items or ideals that assisted him in compensating with the state of unrest. Furthermore, Oskar remarked, “I need to know how he [his father] died. . . so I can stop inventing how he died, I’m always inventing” (Foer, p. 256).
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Oskar recalled various sexual apparatuses that he knows about, and does not want to know about. Specifically, he commented, “ I know a lot about birds and bees, but I don’t know very much about the birds and the bees” (Foer, p. 192). To tell the truth, I don’t care to fathom how a nine-year old kid learned about half of the adult situations he recited. Nevertheless, Oskar pronounced, “everything I do know I had to teach myself on the Internet, because I don’t have anyone to ask”(Foer, p.