Kurt Vonnegut's Slaughterhouse-Five Analysis

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Slaughterhouse-Five, written by Kurt Vonnegut, is the story of Billy Pilgrim, a time travelling veteran that gets abducted by aliens and witnesses the Bombing of Dresden. Kurt Vonnegut, throughout the novel, blatantly bends, breaks, and ignores the conventional rules of storytelling. He breaks these conventional rules in an attempt to get a story about Dresden on paper, since he could not do so in any other style.
Kurt Vonnegut openly breaks the typical rules of narration and the delineation of the author multiple times throughout the course of Slaughterhouse-Five. He places himself in the novel and creates multiple characters that serve as surrogates for his own experiences during and after the events of World War Two. Billy Pilgrim, the main character of the story that time travels at a moment's notice, is an obvious surrogate for the author, since he witnesses and survives the Bombing and Dresden. Moreover, Billy reads the novels of
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The story of Billy Pilgrim’s hops from one meaningful event to the next, sometimes without any rhyme or reason. Billy time travels from one moment in his life to the next simply after seeing a certain object or witnessing a specific event. This idea of time traveling leads to a story that quickly travels from World War Two to the birth of Billy and back to the Bombing of Dresden. Vonnegut successfully bends the humdrum rules of chronology in his work through the use of time travel, which allows him to sporadically jump from one consequential event to the next in the novel.
Kurt Vonnegut, the author of Slaughterhouse Five, conspicuously bends, ignores, and breaks the typical rules of storytelling throughout his work. He knowingly breaks these rules in an attempt to pen a story about the Bombing of Dresden. Slaughterhouse-Five is the culmination of Vonnegut creatively annihilating the conventional rules of