London William Blake Metaphorical expressions share similarities and differences in the significance of there meaning to a poem. “The mind-forg’d manacles I hear” is the fourth line of the second quatrain in William Blake’s line. This metaphorical expression represents the mental state the people of London are inflicting on themselves due to their own perceived social status and economic value due to the abuse of government on the society. The importance of understanding this expression is significant not only how it pertains to the people of London, yet how ironically as humans this expression occurs in our every day lives. In mark in every face I meet, Marks of weakness, marks of woe” is the third and fourth lines of the second quatrain. This metaphorical expression represents Blake’s view of the literal and connotative suffering of the people of London. The significant restriction is money, and how not having money socially makes these people apart of the lower class. These mental restrictions are harder to break free from any physical chain the government or church might place on them. “Manacles” is a symbol that has the denotative meaning of “chains” or “shackles”. The connotative meaning expresses the mind restrictions the people of London have due to their own lack of acceptance within society. The mind forg’d manacles represent a clear connation the role of materialism and the power of money has on diversifying society. This materialistic manacle is darkening society, where people live in fear instead of happiness. As Blake describes in the first quatrain, the streets are becoming all about materials and business ventures due to the governments political and economic control of society. Blake see’s suffering in his people. The significance of this metaphorical expression is that Blake can mark or see by his own eyes the people he meets are walking around in fear, and are dominated by sadness “marks of woe”. This expression also sets forth this first real imagery Blake uses, which as readers we can interpret as clear sadness and suffering. This first quatrain is also significant in setting the tone/mood of Blake throughout the poem; yet he progressively gets angrier throughout. The connation of the word mark in this expression can be interpreted in to two different meanings. Blake uses repetition here, which is extremely important to note because it emphasizes the “marks of woe”. Blake also uses repetition in the second quatrain, which is a similarity to the mind-forg’d manacles in the sense that it exists in the same quatrain. “Mark” can be interpretive in the denotative sense in “and mark in ever face I meet” meaning he physically is performing the act of marking the sad faces of the people he meets. It has the connotative emotional mark of visible signs of suffering. The main similarity between the two metaphorical expression are the visible and mental suffering is due to London growing into a society powered by materialism. The other similarity is that the mind forced restrictions are because of a mental and physical state weakness. Therefore both share similar connotative elements of oppression and suffering expressed in their metaphors. Ironically, the difference between the two is marks of weakness is a physical visible image that Blake see’s; mind-forg’d manacles are mental sufferings that Blake hears. Manacles and mark are also similar in there denotative sense because the “marks” Blake see’s can be a result of the physical manacle’s due to society’s social chains it places on people, such as the child labor Blake exploits in the latter quatrains. In my opinion, Blake feels that the suffering of the people of London stem from the church and the government, two important themes that share emotional connation of corruption through expressions such as “every black’ning church”, and “runs in blood down palace walls”. The nighttime doesn’t hold…
23 July 2013
An Analysis of “London” Stanzas two and three
These two stanzas come from a poem called “London,” which is written in the book Songs of Experience, by William Blake. The poem is written in the first person perspective of, presumably, a man, since the poem is written by a male, in the city of London. The man is wandering at night, focusing on what he hears in the “charter’d street” (Blake 1). He also makes a point to describe the Thames River as “charter’d”…
perfect needs a connection with the present. You cannot use the present perfect with specific time expressions such as: yesterday.
“Is John ill? He’s lost a lot of weight.”
“Yes, he is rather slender these days, isn’t he?”
c “Slender” has positive connotations and is more appropriate with a compliment, not when talking about someone who is ill.
presented in “London” and “Storm”?
William Blake presents strong feelings in London by using techniques such as repletion of words. One of these words is the word “every”. This is repeated many times to show there is no escape for anyone and there are no exceptions. Another repeated word is the word “cry”. This is repeated on multiple occasions and is used to convey a sense of misery and a loss of hope.
Another technique William Blake uses is using many words with negative connotations such as…
Response to Robert Frost’s “Stopping By Woods on a Snowy Evening”
The poem, “Stopping By Woods on a Snowy Evening” talks about a man travelling through woods far away from the village on the darkest evening of the year. As mentioned in the poem in verse 13, “The woods are lovely, dark and deep”, we can interpret that the speaker is in love with what he is seeing around him. He is on his way back to town but, it is hard for him to tear himself away from the natural beauty of the woods.
The poem “London” written by William Blake is very interesting but at the same time is also very dark and depressing. It tells a short story of someone (possibly Blake) walking through London in the late 1700’s and everything he sees and makes note of. The poem is basically just a compilation of observations taken by the speaker, but has a political statement within it also. Due to the dark nature of the poem, it seems that Blake is trying to show the people of London that what goes on there is…
Critical Account of ‘London’
‘London’, written in 1794, is a poem from William Blake’s collection in Songs of Innocence and Experience: Showing the Two Contrary States of the Human Soul. Written during the French Revolution, Blake wrote ‘London’ in order to illustrate his views on the revolution by changing imagination into a political force.1 The poem concentrates on the persona of the poem walking through London and seeing all of the bad things about the city at that time; such as the disease…
What potential metaphorical/symbolic significances does the poem “Rhapsody on a Windy Night” offer?
T.S.Eliot’s “Rhapsody on a Windy Night” is a bleak, lyric poem in which he illustrates an unnamed persona’s perception of society and highlights the profound tragedy and subtle suffering that emerges after dark. The poem evokes several different potential interpretations as much of its ambiguity is presented through ambiguous allusions.
Eliot establishes the setting via subtle yet significant metaphors…
movement was a reaction to the Industrial Revolution, which occurred during the same era. William Blake, the author of Songs of Innocence and of Experience, wrote a collection of poems demonstrating certain contrasts of life. Many of his poems have aspects of innocence, one of which is “The Lamb.” On the contrary, “The Tyger,” focuses on experience with the realities of life. In these two opposing poems, Blake uses a common theme of religion and the use of the lamb as a symbol, since God created both the…
Sylvia Plath, ‘You’re’ (B.L.C.A.)
Sylvia Plath, ‘Blackberrying’
William Blake, ‘Infant Joy’ and ‘Infant Sorrow’
William Blake, THE Chimney Sweeper’
William Blake, ‘LONDON’
Maureen Watson, ‘Stepping Out’ (B.L.C.A.)
Bobbi Sykes, ‘One Day’ (B.L.C.A.)
The work of poets such as Sylvia Plath and William Blake present a predominantly despairing view of the world. It is evident that hope and despair, however, go hand in hand and Blake in particular explores the contrasts between the two. Similarly, poets…
describe an “author of script and film-maker as one and the same” versus the view of scripts being appointed from authors or scriptwriters (1996, p12).
Over the [course of 50 or so odd] years,. Known for his distinctive brand of comedy, the work of Blake Edwards, demonstrates the authorial stamp that is often referred to in theories of the auteur, resulting in a style or approach to cinema that could be described as ‘Edward-ness’. [He makes prominent use of his self-conscious manipulation of particular…