African Americans, it became very popular and had great impacts on show business. It did so through racial pigeon-holing of African Americans in the performing arts. In the 1880s, minstrelsy had changed and the notion that it was merely meant for the European Americans varnished. In all phases of show business, African Americans became managers, composers, performers, and owners. Nonetheless, some of the most successful troupes were still in the hands of the European Americans. It is noteworthy that…
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