Melinda Reflective Essay

Words: 449
Pages: 2

The structure of this would work around the public's expectations, it is part of human nature to try to get a sense of the patterns and the arrangement of the images, filling the gaps and find out what happens next. In this case the producer of this series is playing with items causing this type of advance expectations, increasing involvement in the story by the viewer. The structure of this story is based on the exposure situations that allow fill gaps in understanding history. Moreover, scenes of conflict in the pace of the scene changes using contrast not only in the picture, hue, brightness is also evident, but also using sounds and situations that cause conflict or simply do not expect the viewer to see, encouraging a radical change in …show more content…
During exhibition of the story there is something belonging to the dramatic structure that seems to determine how humans perceive the stories, explaining useful terms, and causing public interest and empathy. Although the rhythmic during these first acts is slow, the colors of the clothes are the main element to generate contrast and attention from the viewer. For example, in the scene where Melinda is the only one who is dressed a red dress. On the other hand, the next act complicates the story generating tension with the appearance of ghosts, these sequences are responsible for causing the public interest and empathy, the pace is these scenes is spotty compared to other scenes causing increasing tension and interest. Consequently to this, there is the appearance of the climax, achieved through a series of sequences that is directed toward the story transformation point. Rhythm plays an important role here because it creates contrasts through sounds and images, developing the problem to be solved. And last, there is the resolution when Melinda finally achieved rapprochement with the spirit and the family of the same, concluding the story (mission) so satisfactory, in which the rhythmic becomes slow again making the affinity with the rest of the