Mildred Character Analysis

Words: 909
Pages: 4

In the book, Bradbury’s characters, such as Mildred, were brought to life through obsessions such as being in front of the parlor walls constantly to watch the latest program, which is very similar to what many people are victims of today. Mildred was one character who was fooled by the parlor walls, and the danger that she was putting herself in as she became more and more addicted to it. Montag started to notice how Mildred’s connection with the TV had become unhealthy as he became more aware of his surroundings. Montag had also noticed how much Mildred relied on the “unquestionable” love she received from the parlor walls, “Montag stopped at the door, with his back turned. “Millie?” A silence. “What?” “Millie? Does the White Clown …show more content…
Millie seemed to have adopted violent behaviors from her television show, and many children in real life seem to be doing the same thing as they watch violent acts on television. No one is born with wanting to hurt people, it comes when people are influenced at an early age. This is affecting people’s humanity because one human trait is empathy- the ability to put yourself in someone else’s shoes and think about what it would like to be them and be able to sympathize with them. Generally, violent people do not show empathy, because they do not imagine what it would be like to be the victim, they can only feel the rush they are getting as they hurt the person. “The average American child will witness 200,000 violent acts by age 18. Kids may become desensitized to violence and more aggressive,” (How TV Affects Your Child). This just adds to the fact that kids from an early age are influenced by the unrealistic things that they see on the television, and if violence is shown as a cool thing to portray, then the kids are more likely to grow up and act out through violence because that is what they have learned to do from an early age. Ray Bradbury seems to have been very correct with his book, he seems to have predicted the