Pan's Labyrinth

Words: 550

Pages: 3

Open Document

Some aspects of the film Pan’s Labyrinth by Guillermo del Toro are considered to be similar to the aspects of films directed by Terry Gilliam. This style is also known as “Gilliamesque”. Three of these Gilliamesque aspects found in del Toro’s film are surrealism, selfless acts, and a primary character who is an outsider. Pan’s Labyrinth includes many instances and examples of surrealism because the film itself is either fantasy or magical realism. The main character, Ofelia (Ivana Baquero), spends a lot of her time in an old labyrinth, talking to a faun (Doug Jones), following fairies, and completing quests to prove that she is the lost princess Moana in order to be able to return back home to the eternal realm. It is unclear throughout the film whether this alternate reality is actually real, or just something that Ofelia made up in order to escape the horrors of her actual life with her dying mother (Adriadna Gil) and the abusive and extremely cruel captain (Sergi Lopez). These worlds blend together in a way that makes it very difficult for the viewer to discern whether the magic is real or not, creating a surrealistic effect, especially in scenes like in the end when Ofelia is running away from the captain and he almost catches her, but the stones of the labyrinth come apart and let her through to the center when she ran into a dead …show more content…
She doesn’t fit in or feel at home in the captain's house, she has barely anyone who can remotely relate to her at all, she and her mother don’t understand each other, she misses her dead father, and on top of everything else, is the only child in a house in the war torn woods full of adults. Because of these factors, Ofelia spends most of her time either by herself, exploring the woods and reading, or with the fairies and the faun, who may or may not be just a figment of her own

Analysis Of Pan's Labyrinth

Pan’s Labyrinth was a film recorded in Spain, 1944. A young girl had to go and move in with her pregnant women to the captain’s place. The young girls mother told her they had to move in because they were alone for a long time. The captain was heatless and mean and the young girl believed it he wasn’t her biological father. On their way to the captain’s place, she find a fairy and that same fairy comes to her the first night. The fairy takes her to a labyrinth where she finds a faun who tells her…

Words 130 - Pages 1

Pan's Labyrinth Essay

Magical Realism in Pan’s Labyrinth Ofelia is a young girl in what seems to be the late 1940’s, during a War in Spain. Ofelia traveled with her mother Carmen who is pregnant with Ophelia's brother to Spain to meet and live with her new father which is the commanding captain in his regiment. Ofelia is very doubtful about the big move to live with the captain at his fort but seems to be ok about living with this new man because of the love she has for her mother.as her stay progresses she learns that…

Words 922 - Pages 4

Symbols In Pan's Labyrinth

ensuing in the confusion of what is real and what is not. Pan’s Labyrinth is written by Guillermo Del Toro who is a Mexican film director, screenwriter, producer, and novelist. The movie illustrates the roles of imagination and actuality that plays in people’s lives, with the use of setting, sound, character and symbols. All important elements of the movie that help mold the story together. The setting is a very important aspect of the Pan’s Labyrinth, since it helps develop the story and gives a distinctive…

Words 746 - Pages 3

Summary Of Pan's Labyrinth

American studies, readers in film studies, and lecturers in film studies in the United Kingdom. The book incorporates different disciplines and a diverse set of approaches. These individuals carry different opinions of Del Toro’s work, the film Pan’s Labyrinth, and the political horror that helped shape the piece of work. The book sheds light on how corrupted fascism was prevalent in Spain in 1944. Moreover, the book addresses the film as a “transnational product” because it is in Spanish rather than…

Words 211 - Pages 1

Pan's Labyrinth Archetype

good and the devil as evil. This archetype is commonly used throughout literature and film to illustrate two opposing sides. Haroun and the Sea of Stories by Salman Rushdie utilizes the standard light as virtuous and darkness as infernal, while Pan’s Labyrinth reverses the archetypal roles, having light be the problematic world and darkness be the magical world. Rushdie thoroughly depicts the discrepancy of the Gups and Chups, since the land of the Gups is constantly illuminated, while the land of…

Words 1072 - Pages 5

Pan's Labyrinth Analysis

not seen Crimson Peak, do not read further; if you like Guillermo del Toro, do not see Crimson Peak, unless you are in the mood for excessive effects, Gothic velvet, and blood. Crimson peak is no Pan’s Labyrinth. Of course, that is obvious enough, but what I mean to say is that where Pan’s Labyrinth successfully intertwined drama, fantasy, and horror with a fresh sense of realism, Crimson Peak falls, face first, onto the hard mattress of mediocrity, overwhelming Gothic style and architecture, and…

Words 621 - Pages 3

Pan's Labyrinth Film Analysis

Exploring Genre Hybridity in Pan’s Labyrinth Hybrid genre is a specific area of genre in which conventions and themes are taken from two or more separate genres and combines them together in an attempt to create something more engaging and less linear than strictly following a single genre. (Thomas Larson, 2012) says regarding hybrid genre and its narrative “Hybrid narratives are a bit of a misnomer: we create a narrative and then hybridize it with something that counters or is unlike that narrative…

Words 902 - Pages 4

Pan's Labyrinth Analysis Essay examples

Pan’s Labyrinth Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the…

Words 1005 - Pages 5

Pan's Labyrinth Fairy Tale

The movie Pan’s Labyrinth presents an interesting mix of realities through the story of Ofelia’s escape from the war around her into a fantasy world where she can become a princess after completing three tasks. This movie can seem peculiar because the fantasy world that Ofelia escapes into is supposedly a fairytale, but this fairytale is filled with grim terrors and life threatening tasks which oppose the typically friendly lightheaded story of a “fairytale.” These fairytales also invite viewers…

Words 1589 - Pages 7

What Is The Theme Of Pan's Labyrinth

stepfather. With her imagination as her own weapon, Ofelia encounters a labyrinth and discovers a faun in between the walls of the magical place. The faun sets her on a journey to help herself and her pregnant mother. Eventually, the lines between fantasy and reality begin to blur, and before Ofelia can turn back, she finds herself at the center of a ferocious battle between good and evil. Like any great myth, Pan’s Labyrinth places its messages through the displays of magic. And like any fairy tale…

Words 500 - Pages 2