•An edition that was edited based on the conversation of the three contributors. The contributors are chairs of Spanish and Latin American studies, readers in film studies, and lecturers in film studies in the United Kingdom. The book incorporates different disciplines and a diverse set of approaches. These individuals carry different opinions of Del Toro’s work, the film Pan’s Labyrinth, and the political horror that helped shape the piece of work. The book sheds light on how corrupted fascism was prevalent in Spain in 1944. Moreover, the book addresses the film as a “transnational product” because it is in Spanish rather than English. The book also presents information on awards that the film has been nominated for and/or won. This volume
