growing. The black population was at the
forefront of this issue, but a simultaneous Asian American activism also grew in
resistance to institutional racism. These “Third-World-Student-Strikers” and the
“Orientals” in China both felt emasculated, and stripped of their true identity.3 Arguably
1
Chris Berry, “A Nation T(w/o)o, Chinese Cinema(s) and Nationhood(s),” in Colonialism and
Nationalism in Asian Cinema (Indiana University Press, 1994), 42-61.
2
Yuan Shu, “From Bruce Lee to Jackie…
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