To Kill A Mockingbird Film Analysis Essay

Words: 517
Pages: 3

Emily Jasmin
ENG 282
November 10, 2015
Title
The classic film To Kill A Mockingbird, directed by Robert Mulligan, is well known for its successful adaption of the Pulitzer Prize novel by Harper Lee. Within the film there are many cinematic techniques utilized to highlight and demonstrate the significance of Even though the film was released in 1962 with the use of color film becoming the standard thing to do, the film was shot in black and white. This could be done for several reasons. It is possible that the director wanted it to be an accurate depiction of the setting of the film in the early 1930s. Some viewers speculate that the film was done in black and white to emphasize one of the key themes of civil right issues and inequality.
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He’s similar to the boogeyman in which there are plenty of urban myths surrounding him. The first time that Boo is mentioned in the film, he is described as “about six and a half feet tall. He eats raw squirrels and all the cats he can catch. There's a long, jagged scar that runs all the way across his face. His teeth are yellow and rotten. His eyes are popped. And he drools most of the time.” This creates the fear in the kids that is only worsened each time that he is mentioned or they walk by his house. As for the encounters that they begin to have while sneaking around the Radley’s property, it seems to carry the same lighting and sound elements throughout the film. They never show Boo until the end of the film, this also increases the mystery around him. He is instead shown as a shadow in the brief moments he is featured. Even until Boo’s final moments of his big reveal, he sits in the shadow behind the door remaining partially obscured from view. Along with this, comes the same melodic sound that is played each time something eerie happens having to do with Boo. He is seen as a figure of terror until he saves Jem and Scout from Bob Ewell at the end of the film where Boo makes a transformation from the neighborhood boogeyman into a guardian angel. Lighting hits on this in the film where Boo is shown as merely a shadow which demonstrates his boogeyman view and the lighting is much more bright when he has his