Unity In John Steinbeck's The Grapes Of Wrath

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The Grapes of Wrath has little plot and an uncommon complex involvement of character with character. The novel is told primarily with multiple abstracts nawning at each other because, in the era of The Great Depression, there wasn’t a specific individual to place the blame on. The events that had led up to The Great Depression were seemingly woven and threaded together to produce one massive land of “dusted out” corn. The novel preached beyond the conservatism beliefs and ideas that existed during the 1920s, it preached the positive philosophy of life and unity for the greater good, it preached transcendentalism.
In “The Philosophical Joads,” Frederic Carpenter interprets John Steinbeck’s words by using the combination of the philosophical
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He uses the objects to symbolize selfishness, the detanglement of unity, and the philosophy of ‘to each man his own.’ To the farmers, selling their possessions and leaving their towns is leaving their home and the life that they know, the relationship of unity they’ve built with their land. They sell the majority of their possessions to other farmers. Those junk dealers are most likely going to go through the same tragedy the Joads’ are going through, however, they still offer terrible prices for the Joads’ possessions. Therefore, there was no consideration towards the Joads, they were robbed, knowingly and since they were in a desperate situation they couldn’t do anything about it. Little do the inconsiderate junk dealers know, the Joads are working alongside of them and once they realize it “the old I become we” (Carpenter 318). Steinbeck writes, “[They’re] not buying only junk, [they’re] buying junked lives. And more--[they’ll] see--[they’re] buying bitterness” (Steinbeck 110). The portrayal of the recurring cycle of life for the farmers during the Dust Bowl, becomes evident when Steinbeck follows it with the desperate hope of unity by stating, "...someday-the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it" (Steinbeck 112). The lines of allusion to the previous better days makes the farming equipment more human and the audience begins to engage into the feelings of what they could be going through, thus injecting the powerful syringe of pathos into the audience. Furthermore, Steinbeck personifies the image of the willow tree and the old mattress by using rhetorical devices, “How if you wake up in the night and know—and know the willow tree’s not there? Can you live without the willow tree? Well, no, you can’t. The willow tree is