Violence In City Of God

Words: 1031
Pages: 5

Just as the Olympics were held in Brazil, we heard on the news the constant increase of violence in children, and the even higher incensement in the organized crime events in this country. But few of us understand the cold, horrific, and traumatic experience of living surrounded by violent children in organized crime gangs, as well as the characters of City of God. The director of the movie Fernando Meirelles purposely shows us the way in which young children in Brazil learn to become violent at a young age, eventually still young get involved in organized crime gangs and their drug business as well as in the gangs’ battles over territory and power. The point of view in which the director decided to develop the story, his camera focuses in …show more content…
The director is always trying to show that during all violent acts occurred in the movie, many young children witness and even participate in executing the many crimes. On the same page, the director shows the complexity of the favelas, and the fact that only locals manage to know the streets correctly. Brazilians blame the lack of government intervention in violent crimes due to the complexity of the favelas. In fact in the Journal or Money Laundering and Control the Brazilian writer George Henry explains “access would be for the most part through the labyrinth of very narrow passageways with no signage, and then, one would find one’s way only through local knowledge and custom (Henry, “Organized Crime in Brazil”), This is also backed up in the movie, during the scene when Lil Z was confronting with Carrot, even though the police is trying to reach the place where the confrontation is taking place, it is impossible for them to reach because they do not know the routes in the Favelas. Just the fact that the director places multiple overview shots of the Favela; it proved that police was never able to reach their desired goal and how fluid the locals were able to get through …show more content…
The movie begins right when the children began to first witness violence, and strongly evolves and focuses on how these children become more and more involved in the crime gangs. This detailed development along with the camera focuses, influence the director’s purpose which is to demonstrate how involved with violence and drugs these kids have been. As viewers we witness how Lil Z and Benny first get influenced by the Dynamic Duo and continue being involved in violent crimes all the way until they control much of the Favela’s drug business. This detailed development of the film makes the author successful in demonstrating his purpose. The viewers can perceive the fact that even in their own neighborhoods the children are at constant contact with violence and eventually become involved. Not only do we perceive the children involvement but we also can identify that is an ongoing process in which other small children continue to get involved. During the first few scenes we can identify that Rocky, Little Z and Benny began to get influenced and eventually became heavily involved in the drug business, and if in contrast we analyze the final scene we clearly identify that now a new generation of children become in charge of the current drug business that already existed giving place to an ongoing chain of children involvement in organized