A Note On Graffiti

THREE heavyset guys armed with aerosol canisters have their boombox tuned to a ribald talk-radio show as they transform a grungy section of wall in Long Island City, Queens, from a peeling mess to a psychedelic swirl of letters spelling out their names. The opposite of furtive, these tattooed artisans laugh as they brandish spraypaint cans for an audience of curious passers-by. Tagging may be illegal in New York, but not on this extraordinarily colorful industrial block beneath the shriek of the No. 7 subway line.

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A Graffiti Mecca on Borrowed Time

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Farther along the street, a transit-themed mural includes a tongue-in-cheek four-star rating credited to Councilman Peter F. Vallone Jr., one of the city’s most vocal critics of graffiti — or, as it is described by fans and practitioners, aerosol art. To them, this desolate site known as 5Pointz Arts Center is a mecca for graffiti artists, rappers and break-dancers from the five boroughs and beyond. Icons of the medium like Cope 2, Tats Cru and Tracy 168 have painted here, and musicians as diverse as Joss Stone and Jadakiss have shot videos using its garish walls as backdrop.

“These walls to me are no different than a canvas in a museum,” said Jonathan Cohen, 38, an artist from Flushing. He is the primary guardian here, and the source of the billboard-size words painted on the main wall, “5Pointz: The Institute of Higher Burnin’.” That his piercing eyes are worried and his dark hair infiltrated with gray is directly linked to recent statements by the building’s owner that 5Pointz is living on borrowed time — destined to be replaced by two residential towers.

Since 2001, Mr. Cohen, whose nom de graffiti is meresone, has performed the role of on-premises curator, peacemaker and, in his vision, museum director. Permission to use the outside of the dilapidated warehouse, at 45-46 Davis Street, as a canvas was granted by the owner, Jerry Wolkoff, who also rented out makeshift art studio space until 2009, when a fire escape collapsed and seriously injured a jewelry artist. After the accident, the interior studios were dismantled and Mr. Wolkoff paid a fine for safety infractions, but the graffiti, monitored by Mr. Cohen, was allowed to continue, gratis.

Painters from France, Australia, Spain and elsewhere have been invited to make their mark on what some members of the urban arts frontier laud as an endangered landmark. The site is noted in foreign guidebooks as the hippest tourist attraction in Queens, an out-of-doors paean to street art. It is a headline attraction for Bike the Big Apple tours. But it lacks any mention on the local community board’s list of cultural destinations, unlike the Museum of Modern Art’s nearby PS1 outpost, which invited 5Pointz to perform at its summer arts series on Sunday, before Hurricane Irene forced a postponement. The taggers were to demonstrate their art on canvases, not on MoMA’s walls.

At 5Pointz, a graffiti lovefest is celebrated daily in broad daylight and includes the prime display space up on the roof, where passing subway riders are treated to — or assaulted by — a striking portrait of the murdered rapper Notorious B.I.G. as interpreted by the New Zealand artist OD. Even the chairman of Community Board 2, Joe Conley, considers the mural “a magnificent example of creativity — it looks like a real painting.”

On the flip side, he dismisses the building it is painted on as “a blight.”

“People refer to it as ‘that graffiti building,’ not ‘that arts center,’ ” he said. “It by and large has a negative connotation.”

Mr. Conley and his board agree with the building’s hitherto arts-friendly owner and developer, Mr. Wolkoff, that the moldering complex is ripe for razing in the name of urban development. Mr. Wolkoff envisions two 30-story apartment towers, and

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