Reservoir Dogs

Words: 1532
Pages: 7

Comparative Analysis

The goal of this paper is to compare three of Quentin Tarantino’s films and determine the qualities that make his works identifiable.

The film that kicked off his rise to mainstream success, Reservoir Dogs is recognizable by its non-linear storyline, profanity, violent crime and pop culture references. Tarantino also makes a cameo, which would continue throughout his career. The film would serve as a diagram for Tarantino’s later works.

Reservoir Dogs is a 1992 American crime thriller film that depicts the events before and after a botched diamond heist. The film was the feature-length debut of writer and director Quentin Tarantino, and stars Harvey Keitel, Michael Madsen, Steve Buscemi, Chris Penn, Lawrence Tierney
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Eddie arrives and orders them to retrieve the diamonds and ditch the getaway vehicles, leaving Blonde in charge of Nash and Orange. Nash denies knowing anything, but Blonde ignores him and resumes the torture, cutting off his ear with a straight razor. He is about to set Nash on fire, but is shot dead by Orange. Orange explains to Nash that he is an undercover police officer and that the police will arrive soon.
When Eddie, Pink, and White return, Orange tries to convince them that Blonde planned to kill them and steal the diamonds for himself. Eddie kills Nash and accuses Orange of lying, since Blonde was loyal to his father to the point of doing a prison term instead of turning on him. Joe arrives with news that the police have killed Blue. He is about to execute Orange, but White intervenes and holds Joe at gunpoint; Eddie points his own weapon at White, creating a Mexican standoff. All three shoot; both Cabots are killed, and White and Orange are mortally wounded.

Pink takes the diamonds and flees. As White cradles the dying Orange in his arms, Orange confesses that he is a police officer. White holds his gun against Orange's head. The police storm the warehouse and order White to drop his gun. Gunshots sound and White
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Considerable screen time is devoted to monologues and casual conversations that reveal each character's sense of humor and perspective on life. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Pulp Fiction is self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". The plot, as in many of Tarantino's other works, is presented out of chronological