Santiago In Chronicle Of A Death Foretold

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One topic that was highly emphasized during the discussion was how Gabriel García Márquez, in Chronicle of a Death Foretold, portrays Santiago Nasar as Christ. During the interactive oral, an interesting idea was developed using this religious symbolism that proved Santiago’s innocence throughout the entire affair. This was a concept that had not come to my attention before the oral discussion, but, afterward, made me further question Santiago’s role in the conflict. Leading up to the eventual death of Santiago, several key details are brought to our attention, such as the stabbing of his hand and the fact he was attacked while leaning against the wooden, ‘fatal door’. All of these are, generally, obvious to Marquez’ readers; however,