Canto Dante's Inferno

Words: 209
Pages: 1

In this canto Dante addresses one of the colossal good issues of Christianity, which was especially squeezing for Renaissance researchers who loved the Ancients. Immersion is fundamental for salvation, however it appears to be basically out of line that all the great individuals who lived before Christianity, or who never known about it, ought to languish over something over which they had no control. In the primary line of the engraving over the Gate of Hell in Canto III, "THROUGH ME YOU ENTER INTO THE CITY OF WOES," Hell is depicted as a city. This depiction picks up support in the depiction of Hell's engineering: it is walled and gated like a medieval city. The possibility of urban communities figures essentially in Inferno, and Dante's