Charles Horton Cooley Social Interaction Theory

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Since industrialization, the global community broaden its norms removing anomalous encounters. Since the birth of the field of sociology, the classical theories have focused on overt observation on a macro level. Modern texts signify that the preindustrial behaviours are vague with ambiguous information, as the world becomes more homogenous adding other cultural insights to theirs. Social interaction of the pre-industrial times would have been quite limited due to a lack knowledge of other groups. On the other hand, modern day social interaction have advanced by a tenfold, allowing for the comportary sociological theories to emerge. New theories have presented a more subjective approach to studying social situations focusing more on the micro …show more content…
His theory describes a vivid self-examination of one drawing conclusions of what they look like in a mirror, symbolizing one's self-concept (Rizter, 2010, page 139). The looking glass self-present itself twice during pulp fiction. The first scene occurs when Vincent Vega is the Wallace's bathroom after his dinner with Mia. When Vincent states "...it's a moral test for yourself, whether or not you can maintain loyalty. Because when people are loyal to each other, that's very meaningful (Tarenetino, 1994)," he is coincidentally looking at him the mirror. This line indicates the looking glass self-theory as Vincent is reflecting on himself whether or not he is capable of being loyal to his boss, Marcellus Wallace. The looking glass theory indeed examines the most covert ways of what one's perceptions are, which lead to the introduction of …show more content…
The clever advertisement for the movie drew attention emphasizing the film will be filled with plot twists. Therefore, the audiences will be left to predict how the characters' personalities will unfold with each other, using their impression to formulate their guesses. This paradigm alone represents how Goffman heavily relied on impression management for his theory, indicating a social actor's problem-solving skills determines how other's view them (Rizter, 2010, page 146). Goffman also goes on to describe that the social actors can alternate between the front stage and the back stage. The front stage is what Goffman considered to a fixed performance; that would indicate the same message to all of the observers (Rizter, 2010, page 142). One the other hand, the backstage is considered to were informal action can occur because the actor is no longer in the view of an audience (Rizter, 2010, page 146). This theory is clearly portrayed just as Jules and Vincent are preparing to enter the apartment as their assignment from Marcellus; Jules starts "let's get into character", (Tarentino, 1994), suggesting that he is in backstage view. Seeing as Vincent is his partner, he is comfortable revealing his real opinions throughout the dyad. However, by indicating he is going to get into character before entering the apartment
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