Tim Burton's Cinematic Techniques In Edward Scissorhands

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Tim Burton is well known for the amount of great movies he has directed over the years, Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride being some of those that have thrived the most. Although well known for his amazing movies, Tim Burton is perhaps better known for the style he conveys through them which can be described in various ways. Unlike many other directors, Burton's style can be depicted as dark, creepy, and unsettling, but also with a touch of child-like innocence. To create his unique style, Tim Burton uses a series of cinematic techniques while directing, such as camera movements, camera angles, and lighting.

In one of Burton's earlier films, Edward Scissorhands, he uses camera movements to convey the more unsettling side of his style. For example, in one scene, Burton shows an overview of the neighborhood using a pan movement to emphasize how everything in the neighborhood looks the same. The scene shows every house as looking exactly alike, furthermore creating a sense that everything is too 'perfect' and 'uniform,' making viewers feel disturbed almost by everything being too flawless. By using a pan, it is easier for Burton to convey this sense to the audience because this
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Tim Burton uses this effect in Charlie and the Chocolate Factory when all of the guests are standing outside of the chocolate factory, looking up at it in all of its glory. The low angle is on the factory from all of the guests' points of view, which makes the factory look even larger than it already is. The use of a low camera angle in this scene also creates a mood making the viewer, as well as the characters, feel insignificant and intimidated in comparison to the overpowering factory in front of them. Without low angles on the chocolate factory, it would not seem as overwhelming and monumental to the audience, nor would it create an awestruck