Hip Dance Research Paper

Words: 1933
Pages: 8

Hip-hop Dramatically Changed the Idea of the Consumer into an Active Producer of Culture.

Music genre varies from alternative, jazz, blues, rock, and punk to hip-hop. Hip-hop culture is widely known in conjunction with the existence of African American working-class people. It was emerged in mid 1970’s in New York when rock and alternative music genre dominantly popular in the USA. However, Its popularity rose around a decade later not only from the music, but also from the contribution of movies and art scenes. (Meghelli 2013, p. 97).
Hip-hop showed a power to shift world’s perspective on community movement, from only self-expressing the reality of the working-class into art forms with multi billion dollar music industry. Although hip-hop tends to compose music by consuming and
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Rajakumar (2012, p. 1) identify that break-dancing indicates the aspects of rivalry, sovereignty, and establishment of status with the existence of a cultural array in the Bronx’s Puerto Rican and African American youth style. The dance was initially an impromptu act of responding DJ and rapper performance that triggered audiences to keep moving and even mobbing the dance floor. In addition to that, b-boy, a nickname for break - dancers, moves his body with a touch of acrobatic and pantomimes while he is dancing. Therefore, flips, glides, and freezes become essential movements of break-dancing.
The fourth element of hip-hop, writing or graffiti, exists in the New York’s 1970 political climate. Moreover, it was an outcome of gang’s claim for their respective neighborhood territory. Adams and Adler (2008, p. 16) state that the writing is to mark their area with a message: “The idea, they said, was to protect their neighborhood from outsiders. The painting meant: This is ours and if you’re not one of us, then all of us will bust yo ass,